For example, is there a road that leads to the tower so you could frame your shot to show off its height? Or perhaps look for something from the street itself, such as a pretty table and chairs at a nearby café in the foreground, that you could include to give your picture a sense of place.’ For example, if you’re taking a picture of the Eiffel Tower, which has been photographed a million times, and you want to make your shot different from the rest, my advice would be to walk around the area to see if there’s anything you could incorporate from your surroundings. ‘If you’re shooting at a famous landmark,’ Knight says, ‘the key to the perfect picture is all in the timing and the way you frame your shot. Every nuance and shade of skin tone is represented beautifully to elevate everything from street photography to portrait shots. Google Pixel’s Real Tone makes this easier than ever. If it’s a close-up portrait you’re after, stand about a metre back from your subject and hold the phone straight on – no funny angles or zoom.’Īs well as knowing how to properly frame a shot, being able to accurately and authentically portray different skin tones – especially darker skin tones, which historically have been overlooked in photography – is also an essential skill for any photographer.
Take a step back and photograph the person in their surroundings, to give the viewer context and a backstory about who the figure in your image may be. ‘For a candid shot,’ she explains, ‘don’t hold the camera too close to the face. ‘My favourite shots are the ones taken when the person is unaware they are being photographed – candid portraits, rather than a cheesy smiling shot.’ ‘People can be one of the hardest subjects to photograph,' Knight says.
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